This isn't shiny, happy, poppy Neil Diamond, it is Neil Diamond with a ragged depth and rugged texture. Much like Rubin transformed the man in black into a John Wayne-like musical hero for a new generation, the stripped down and acoustic guitar and piano-paced Home Before Dark elevates Diamond's sound to the darker stature of a folk-rock icon, his lyrical missives delving further than any musings in his polyester pants and sequined shirt catalog. Consider lead single "Pretty Amazing Grace" the transitional step into the shadows, as it is closer than anything from the album will come to sounding at home amidst a Diamond greatest hits collection. Even at that, it still sounds more Cat Stevens-cum-Yusuf Islam than it does "Cracklin' Rosie." "Don't Go There" is stark and absolute, while "Slow It Down" is firm and resolute, sung by a voice of experienced reason. In an album of standouts, "One More Bite Of The Apple" might be the tallest, a willowing voice of wisdom so resounding it echoes like a classic upon first listen. And through it all, Diamond's classic warmth emits a worn and radiant glow.
Rick Rubin took Johnny Cash and elevated him from country icon to mainstream sensation. Neil Diamond is already a mainstream icon; Rick Rubin stripped away the polish and exposed the lines in Diamond’s face, the weather in his voice, and the raw artistic genius at the core of the superstar sheen. "Home Before Dark" unearths the Diamond in the rough, and the results are one of the most engaging bodies of work of an already storied career.
—Paul Gargano
05.07.08
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